Found 4741 Hypotheses across 475 Pages (0.043 seconds)
  1. "There is a strong relationship between increase of layering [social stratification] and elaboration in song style" (153).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  2. "A . . . strong relationship exists between the percentage of stable [work] teams found in a culture and the incidence of cohesive vocalizing per culture" (183)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  3. "Game producers, irrigationists, and nomadic pastoralists seldom sing cohesively. Some incipient producers, collectors, and plow agriculturalists employ good blend some of the time. The gardeners . . . usually sing cohesively" (176)Lomax, Alan - Folk song style and culture, 1968 - 3 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

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  4. ". . . as far as songs are concerned, there is a distinct [positive] relationship between [social complexity, and] explicitness, the number of consonantal distinctions used, and the location of these distinctions in the mid- and front-enunciatory regions" (146).Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  5. Social complexity is positively associated with the following characteristics of song styles: wordiness, precision of articulation, explicitness, and narrow melodic intervals (128-137).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  6. "Increasing complexity tends to normalize voice qualities. . . . Nasalized tone and narrow . . . tone . . . [have a strong] negative relationship to good vocal blend" (193)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related HypothesesCite
  7. "The five levels of performance style relate to [a] scale of increasingly complex governmental types in a remarkably stepwise way" (159-160).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

    Related HypothesesCite
  8. "Where feminine premarital sexual activity is severely restricted or santioned, narrowing and nasality, both signs of tension become prominent. . . . Relaxed vocalizing is relatively uncommon" (195-196)Lomax, Alan - Folk song style and culture, 1968 - 3 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related HypothesesCite
  9. "Ayres found a significant relation between childhood training for compliance and cohesive singing and the contrastive correlation of assertiveness with individualized singing" (191)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related HypothesesCite
  10. "Vocal tension (narrow, nasal vocalizing) is far higher in non-complementary societies, where men perform all or most of the main subsistence tasks" (200)Lomax, Alan - Folk song style and culture, 1968 - 2 Variables

    A large-scale comparative study of folk songs around the world employing systematic measures (cantometrics). The aim was not just to describe variation but to test hypotheses about the relationships between song style and societal structures. Dance was also considered.

    Related HypothesesCite