Found 4658 Hypotheses across 466 Pages (0.006 seconds)
  1. Sexual restrictions on unmarried girls predict nasal and narrow singing.Erickson, Edwin E. - Tradition and evolution in song style: a reanalysis of cantometric data, 1976 - 2 Variables

    The author reanalyzes hypotheses proposed by Lomax et al. (1968) that are based on Lomax's collection of cantometric data. Considering historical/regional variables, the author suggests that difusion and common history better explain certain musical features such as wordiness than functional and evolutionary processes. However, other Lomax findings are supported involving interlocked, contrapuntal singing and narrow nasal-voiced singing.

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  2. A prominent female role in subsistence production predicts polyphonic or multiparted singing.Erickson, Edwin E. - Tradition and evolution in song style: a reanalysis of cantometric data, 1976 - 2 Variables

    The author reanalyzes hypotheses proposed by Lomax et al. (1968) that are based on Lomax's collection of cantometric data. Considering historical/regional variables, the author suggests that difusion and common history better explain certain musical features such as wordiness than functional and evolutionary processes. However, other Lomax findings are supported involving interlocked, contrapuntal singing and narrow nasal-voiced singing.

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  3. "Women are more likely . . . to assert themselves [i.e., to have sung rasp] in societies where they make a significant or predominant contribution to subsistence" (208).Erickson, Edwin E. - Self-assertion, sex role, and vocal rasp, 1968 - 2 Variables

    This chapter examines the relationship between singing behavior, specifically vocal rasp, and sex-role differences. Results suggest that conformity training is negatively associated with the use of vocal rasp. Results also suggest that women are more likely to sing with vocal rasp in societies where they make a more significant contribution to subsistence.

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  4. "When the frequency of extreme rasp per culture is ranged against the compliance/assertion score, a statistically significant correlation emerges suggesting that . . . conformity is a negative condition for sung rasp" (207).Erickson, Edwin E. - Self-assertion, sex role, and vocal rasp, 1968 - 2 Variables

    This chapter examines the relationship between singing behavior, specifically vocal rasp, and sex-role differences. Results suggest that conformity training is negatively associated with the use of vocal rasp. Results also suggest that women are more likely to sing with vocal rasp in societies where they make a more significant contribution to subsistence.

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  5. "Mean number of instrument types per style sample appears as a correlate of social stratification" (155).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  6. "There is a strong relationship between increase of layering [social stratification] and elaboration in song style" (153).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  7. ". . . as far as songs are concerned, there is a distinct [positive] relationship between [social complexity, and] explicitness, the number of consonantal distinctions used, and the location of these distinctions in the mid- and front-enunciatory regions" (146).Lomax, Alan - Song as a measure of culture, 1968 - 4 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  8. Social complexity is positively associated with the following characteristics of song styles: wordiness, precision of articulation, explicitness, and narrow melodic intervals (128-137).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  9. "The five levels of performance style relate to [a] scale of increasingly complex governmental types in a remarkably stepwise way" (159-160).Lomax, Alan - Song as a measure of culture, 1968 - 6 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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  10. Interlocking, a maximally individualized and leaderless style [in which everyone present sings independently in melody, rhythm, and harmony] occurs most frequently among cultures dependent on collecting (156).Lomax, Alan - Song as a measure of culture, 1968 - 2 Variables

    This chapter explores the relationship between cultural complexity and song. Several measures of cultural complexity are correlated with different aspects of singing. All hypotheses are supported.

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