In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

In this study, the author empirically tests a formulation of Ellen Dissanayake's evolutionary theory of art, which argues that art evolved to promote group cohesion. The hypotheses derived from this theory and tested in this study specifically focus on ritual art and its relationships to various proxies for group cohesion such as community conflict and internal warfare. Results show that the presence of ritual art is significantly higher where certain measures of group cohesion are also higher (including lower internal warfare, lower conflict between communities of the same society, and lower frequency of violent conflict between groups within local communities).

This chapter examines the relationship between social cohesion (measured using variables like subsistence type, stable work teams, and settlement patterns) and musical cohesion. All hypotheses are supported.

In an attempt to explain communal conflict, this study investigated how customary institutions (i.e. legislatures, courts, and chiefs) may impact the communal conflict activity of groups in Africa. The authors suggest that customary authorities act as local enforcements to mitigate within-group conflict, therefore a higher number of customary institutions should decrease communal conflict. Using data from 143 politically relevant ethnic groups, the authors showed support for their hypothesis and demonstrated marginal support that more inclusive customary institutions would be associated with less communal conflict.

In an attempt to explain communal conflict, this study investigated how customary institutions (i.e. legislatures, courts, and chiefs) may impact the communal conflict activity of groups in Africa. The authors suggest that customary authorities act as local enforcements to mitigate within-group conflict, therefore a higher number of customary institutions should decrease communal conflict. Using data from 143 politically relevant ethnic groups, the authors showed support for their hypothesis and demonstrated marginal support that more inclusive customary institutions would be associated with less communal conflict.

This study examines the influence of the "child-adult" conflict on the frequency of drunkenness in a culture. In particular, the author examines the socio-psychological factors that can induce a child-adult conflict, claiming that this conflict may be more common when mothers are the primary dispensers of rewards.

This book examines the difference between warless and warlike societies and attempts to determine the point at which a society becomes warlike. The author suggests that differences between warless and warlike societies are mostly organizational and hypothesizes that "unsegmented" societies, or societies that have a weaker sense of group identity and cohesion, will be more likely to be warless than "segmented" societies. Several tests are presented. Results generally support the hypothesis.